{"id":501,"date":"2025-10-20T11:16:32","date_gmt":"2025-10-20T09:16:32","guid":{"rendered":"https:\/\/www.khoudiacreates.com\/?page_id=501"},"modified":"2026-04-03T15:07:42","modified_gmt":"2026-04-03T13:07:42","slug":"le-centre","status":"publish","type":"page","link":"https:\/\/www.khoudiacreates.com\/en\/le-centre\/","title":{"rendered":"Le Centre"},"content":{"rendered":"
\n \n \n\t\n\n\n\n

\nLe Centre\n<\/h1>
\n \n \n\t\n\n\n\n
\nNew creation from the Khor Company\n<\/div>
\nPiece for 4 dancers and musicians\n<\/div>
\nFirst:\n<\/div>
\nMarch 2027, Th\u00e9\u00e2tre de Corbeil-Essonnes\n<\/div>\n<\/div><\/div>
\n \n \n\t\n\n\n\n
\n\n<\/div>\n<\/div><\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n

\n\n<\/h1>

\nThe Center refers to space and movement.

Eternally relative to itself and to others, it moves according to the margin, gathers, tightens, federates.\n<\/h2>\n<\/div>
\n \n \n\t\n\n\n\n
\nOver the past few years, the workshops I have conducted in France and Senegal have brought me into contact with the prison environment of these two countries, as well as with shelters for people who have migrated between Africa and Europe.


Following these changes in environment, they shared with me their survival process in rebuilding their identities and new social connections. I witnessed moments where the therapeutic power of dance truly healed, allowing for the expression of vulnerability, which then became a source of resilience.\n<\/div>\n<\/div><\/div>
\n \n \n\t\n\n\n\n

\n\n<\/h1>
\n\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n\n<\/div><\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n

\n\n<\/h1>\n<\/div><\/div>
\n \n \n\t\n\n\n\n

\n\n<\/h1>

\nThis process, in which displaced and marginalized people rebuild together a new dream space, raises profound questions for me.\n<\/h1>\n<\/div>
\n \n \n\t\n\n\n\n
\nIn what ways are certain rituals used to transform everyday life and create new spaces of freedom?

I wonder about the universality of movements and traditions that travel from Africa to Europe, like traces of existence, allowing us to recreate connections. I feel drawn to the words of Memory, Heritage, Elevation, Rhythms, and Ancestral traditions. For me, a question about the notion of community, about the place of the individual within the group, will emerge from this process. This is the precious material that inspires my drive toward a new adventure, both artistic and human.\n<\/div>\n<\/div><\/div><\/div>\n<\/section>
\n \n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n

\nThis research leads me towards a natural return to the roots of the Hip Hop movement.,\n<\/h1>
\nBorn from the movement towards emancipation of marginalized groups through creativity, dance and music, as a culture it now faces questions of transmission, memory work and preservation.

I have a desire to immerse myself body and soul in HipHop with its shifting edges, whose values of universality and collective elevation, central to its emergence, could still be the source of a way of coexisting, of being together.

With a deep, unwavering desire to share them.

Khoudia Tour\u00e9\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n\n<\/div><\/div><\/div>\n<\/section>
\n \n \n\t\n\n\n\n
\n \n \n\t\n\n\n\n

\n\n<\/h1>

\nArtistic Team\n<\/h1>

\nDistribution\n<\/h5>
\nChoreography
Khoudia Tour\u00e9

Performers and musicians
Khoudia Tour\u00e9, Rayan Amu, Agathe Moubemb\u00e9, Julien Villa

Collective musical composition

Lighting and set design - in progress

Sound engineering - in progress

Costumes - in progress

Research Assistant
Tommaso Patrix
\n<\/div>\n<\/div>
\n \n \n\t\n\n\n\n
\nProduction\n<\/h5>
\nProduction
Compagnie KHOR

Production Manager
Yasna Mujkic

Delegated production Senegal
Maggando Association\n<\/div>
\nCo-production\n<\/h5>
\nCo-production: Th\u00e9\u00e2tre de Corbeil-Essonnes Grand Paris Sud; Th\u00e9\u00e2tre Louis Aragon, sc\u00e8ne conventionn\u00e9e d\u2019int\u00e9r\u00eat national Art et Cr\u00e9ation danse \u00e0 Tremblay-en-France; Centre Chor\u00e9graphique National de Nantes; La Place - dispositif CREA 2026.

With the support of the Department of Seine-Saint-Denis.

Research residency: Villa Albertine (Chicago), French Institute\n<\/div>\n<\/div><\/div><\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"

Le Centre Nouvelle Cr\u00e9ation de la Compagnie Khor Pi\u00e8ce pour 4 danseurs.ses et musicien.nes Premi\u00e8re : Mars 2027, Th\u00e9\u00e2tre de Corbeil-Essonnes Le Centre est une notion qui se r\u00e9f\u00e8re \u00e0 l\u2019espace et au mouvement. \u00c9ternellement relatif \u00e0 soi, aux autres, il se d\u00e9place au gr\u00e9 de la marge, rassemble, resserre, f\u00e9d\u00e8re. Au cours de ces […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"class_list":["post-501","page","type-page","status-publish","hentry"],"yoast_head":"\nLe Centre - Khoudia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.khoudiacreates.com\/en\/le-centre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Centre - Khoudia\" \/>\n<meta property=\"og:description\" content=\"Le Centre Nouvelle Cr\u00e9ation de la Compagnie Khor Pi\u00e8ce pour 4 danseurs.ses et musicien.nes Premi\u00e8re : Mars 2027, Th\u00e9\u00e2tre de Corbeil-Essonnes Le Centre est une notion qui se r\u00e9f\u00e8re \u00e0 l\u2019espace et au mouvement. \u00c9ternellement relatif \u00e0 soi, aux autres, il se d\u00e9place au gr\u00e9 de la marge, rassemble, resserre, f\u00e9d\u00e8re. 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